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Eco Colour: Botanical Dyes for Beautiful Textiles, by Flint, India
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From Booklist
*Starred Review* One of the most elegantly designed crafts books to debut this year, with a sophisticated layout and color photographs that capture well the ecological sensitivities of the artist. Though the art of dyeing has long been associated with natural materials, South Australian first-time author (and creator of hand-made “slow†fashion) Flint maximizes the use of renewable resources while minimizing most harmful footprints. On occasion, she goes to extremes, justifying, for instance, the use of wood to heat boiling-dye waters. Yet there’s much valuable information on every page, in every illustration, throughout each chapter; the author’s very careful orientation to the subject, beginning with collecting plants and finishing with special effects and fabric care and feeding, educates and energizes. Notes about history and practical applications (say, the production of indigo and the creation of natural blues through woad plants) are balanced with charts of traditional dye materials and specific details about processing, including plant oddities such as eucalyptus and St. John’s wort, different effects froma range of techniques (for instance, hapa-zome, or beating color into cloth, as well as the familiar resist )and mordants (the stuff that fixes or makes color permanent). Urban apartment dwellers might be a bit challenged by the philosophy and processes; and a few materials indigenous to Australia are unavailable to those on other continents. Nonetheless, an excellent source. --Barbara Jacobs
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Review
"If you've ever worried about the effect dyeing fabric has on the earth, Eco Colour by India Flint will teach you how to use botanical dyes to create beautiful textiles." - Cutoutandkeep.net"A beautifully presented book...if you are interested in botanical dyes, this is a definite must read." - Shuttle, Spindle & Dyepot"Slow dyes, like slow foods, require time and effort, but can generate extraordinary results. This book follows that same philosophy. If you take the time to delve deeply and absorb the wealth of information offered, you will find instruction and inspiration in abundance." - Surface Design Journal"This book is a significant and inspirational addition to the literature on natural dyeing and one which must be read by anyone interested in the topic." - Pam Borchardt, member of the Natural Dye Group, Plant Craft Cottage
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Product details
Hardcover: 240 pages
Publisher: Interweave (September 14, 2010)
Language: English
ISBN-10: 1596683309
ISBN-13: 978-1596683303
Product Dimensions:
9.2 x 1 x 11 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
98 customer reviews
Amazon Best Sellers Rank:
#56,767 in Books (See Top 100 in Books)
I bought this book because I'm learning bundle and print fabric with leaves. I'd seen this book beforehand, and am very aware of the author's qualifications, and decided to buy the book even though it has definite limitations.First, the print quality and the graphics - the visual appeal of the book - is stunning.However, as to content, it is all over the ballpark and very incohesive. Do not expect ANYthing that might remotely be considered to be "instruction".The author is not a very good writer. She uses a ton of verbiage and doesn't impart a lot of information with it. There are some nuggets buried between the lines, but they're not presented in any kind of organized way. The "eco-printing" that Ms. Flint is known for is barely covered at all. I'm not a fabric dyer and am new to eco-printing. She does say some of things one can experiment with, but doesn't give any guidance as to when and on what fibers to apply these techniques. e.g. "Proteins can be mordants. Here are some protein sources." And then a historical disquisition of each one. Very vague and nebulous.I'm good at being self-taught, but I'm not sure I really took away much from this book that will be helpful. Fortunately I'd had a workshop so I'm able to proceed on my own without the book. But I really had hoped it would be more of an instructional supplement and less of a coffee table book. It's good for Ms. Flint's self promotional resumé though.
I noticed others' complaints that this book lacked "recipes," and assumed they wanted very exact procedures with exact ingredients and amounts.Usually satisfied with more abstract instruction, I went ahead and ordered it -- expecting still to find outlines of generic procedures, some suggested effective combinations of mordants and plant materials, and a bit of orientation for those of us whose prior dying experience has been limited to commercial synthetic dyes on the stovetop.Be warned: What little this book offers in the way of instruction is buried in long, wool-gathering reflections and chatty anecdotes. If you can discern a complete process, you will have extracted it by flipping around scanning for hints, in rambling text nearly free of useful rubrics other than chapter headings. It may please you to know, from an amusing sidebar, that the ancient Scots considered little boys' urine ideal for dying with one particular material (woad). But I, for one, would like to know for any of the mordants: how much, for how long, in approximately what dilution, for what fiber types, and when in the process?No-one is born knowing this stuff; we buy books in hopes of learning it. India's work is inspiring to look at and her beautiful book would grace an artsy coffee table, but her prose misses the tutorial mark pretty badly.
This is a great directory of plants with their botanical and common names and parts to use to extract colours. You'll find tips on how to collect, store and undergo experiments with colour extractions, as well as documenting your explorations. It is beautifully photographed and shows up India's work to full advantage.I find this book very hard and frustrating to use and whether this is intentional, you'll find yourself having to pick it up again and again to read and make sure you've understood correctly. Information is all over the place - for instance in the chapter `mordants' you'll find some information about cotton - drips on one page, doubling back or forward (thankfully page numbers are indicated albeit not all pages are numbered) to find more drips - and you may wonder whether the author intended you to slowly extract the lessons, just as the eco-dyeing procedures are slow...Surely someone who's written a Master's thesis on the subject of eco-dyeing could have organized her material a lot better, or are we to blame the editors?
Gorgeous book with gorgeous photos. This book is NOT for anyone looking for specific instructions on eco-dyeing, but it is very inspirational.
I bought this book two years ago thinking I would find directions on Eco dying. I believe the book is used as bait to take the authors workshop. There is no defined instruction or cookbook recipes, and only vague descriptions with a lot of the authors Eco-spiritual philosophy scattered throughout. I ended up taking India Flints week long workshop, which she promotes and teaches all over the World, after attempting, with some good results, a DIY approach for quite some time. Let me tell you, if this book wets your appetite and you want a hands on experience with Ms. Flint...you may be in for an expensive retreat considering lodging, meals, travel expenses, etc... She stretches the week out as best she can with hours spent on gathering local windfall, time chatting up her Eco spiritual approach, a half day was spent learning to stitch personal initials into fabric while she recited her poetry in the background, and then... she barely reveals the dynamics of the process at hand, her secrets of the technique are not revealed only basics are covered. At the end of the five days I was exhausted from straining to hear her, because after numerous request from different students to speak up, she quite literately refused! Also, the results of the class were less than striking and quite dull in appearance...nothing as vibrant and defined as the work she has accomplished and published in her books and on her media sites. In my opinion India Flint is a businesswoman first, and she wants to milk her expertise for as long as she can before her competition spreads the nuts and bolts of this alluring and beautiful surface design technique. Buy the book if you want to get the gist of Eco printing. But if you are a serious fiber artist and textile designer Irit Dulman is the Eco dyer to follow! Taking her three day workshop taught me everything I needed to know about creating dynamic and elaborate Eco prints, plus how to design with botanicals on clothing. If only she would write a book on the topic...which unfortunately she has yet to do.
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