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Here's to You, Rachel RobinsonBy Judy Blume
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From the New York Times bestselling author of Are You There God? It’s Me, Margaret and the adult bestseller In the Unlikely Event comes a tale of family, friendship, and pre-teen life like only JUDY BLUME can deliver. The companion to Just As Long As We’re Together.
CAN YOU BE too perfect?
From the outside, Rachel looks like the perfect daughter in the perfect family. She’s a straight-A student, a gifted musician, and a good friend. But Rachel feels as if it’s all falling apart. Her brother, Charles, was just kicked out of boarding school and is now at home, wreaking havoc. Her sister, Jessica, has problems of her own, which Rachel thinks it’s her job to help solve. And Rachel herself is considering adding drama club, community service, and class president to her already crowded roster of activities. Rachel’s best friends, Stephanie and Alison, urge Rachel to lighten up and enjoy the end of seventh grade. Easy for them to say. Not so easy for Rachel. Not even when Jeremy Dragon, the coolest boy in ninth grade, notices her. Is it possible that perfection isn’t the key to an exciting life?
An ALA Best Book for Young Adults
“A master.” —SLJ
- Sales Rank: #61184 in Books
- Brand: Delacorte Books for Young Readers
- Published on: 2010-04-13
- Released on: 2010-04-13
- Original language: English
- Number of items: 1
- Dimensions: 8.19" h x .41" w x 5.50" l, .35 pounds
- Binding: Paperback
- 208 pages
From Publishers Weekly
PW's starred review lauded Blume's "ability to shape multidimensional characters" in her followup to Just As Long As We're Together. Ages 10-up.
Copyright 1994 Reed Business Information, Inc.
From School Library Journal
Grade 5-8-This is the second book in what will likely become a trilogy revolving around three 13-year-old friends, Stephanie, Rachel, and Alison. In Just As Long As We Are Together (Orchard, 1987), Stephanie descibed the turmoils of the first half of seventh grade. Here, Rachel picks up the narrative. Her intelligence and drive have always set her apart, and now her emotions are in a state of turbulence. The unwelcome return of her rebellious brother from boarding school unsettles her family, which is dominated by the intense and highly successful Mrs. Robinson. Charles wreaks havoc through his volatile behavior and cruel, but often insightful, attacks on his sisters and parents. Rachel also struggles to find a balance at school, where increasing pressures threaten to overwhelm her. While dealing with these concerns, she becomes attracted to an older man and longs for her peers to accept her. A master at conveying the values and mores of the upper-middle class, Blume excels in her desciptions of family life and adolescent friendships. Her characterization is powerful and compelling. Rachel's strong narrative voice, couched in simple, direct language, realistically conveys her intense self-preoccupation. Though Rachel is an unusual personalitity, the author never loses sight of the common threads running through the lives of all teenagers. She draws on the universal themes of awakening sexuality and emerging identities to capture and hold her audience. Preteens will snap this one up.
Maggie McEwen, Coffin Elementary School, Brunswick, ME
Copyright 1993 Reed Business Information, Inc.
From Kirkus Reviews
Blume returns to the trio of seventh graders introduced in Just as Long as We're Together (1987), where Stephanie's narration was colored by her parents' new separation. Here, superachiever Rachel takes center stage with her account of the stresses created when her brother Charles is kicked out of boarding school before he's finished ninth grade. Charles's desciption of his family is one-sided but cruelly on target: Dad (who gave up law for teaching) is a ``wimp,'' Mom (just appointed a judge) an ``ice-queen,'' acne-scarred older sister Jessica a ``potato head''--while Rachel, who at year's end is just beginning to realize that she won't be able to play the flute, take leading roles in drama and a peer-counseling program, do advanced study at a local college, and be class president (all things suggested to her) is Mom's ``clone,'' and more than Charles can bear. His acting out is genuinely, painfully obnoxious; it's a credit to Blume's skill that his vulnerability also emerges, and that the rebalanced family dynamics following his disruptive return is sufficiently muted to be credible. With a good tutor and a stronger bond with Dad, Charles mellows enough for Rachel to see him as more than a destroyer of family peace- -and for him to admit she may be developing a sense of humor. A good, solid, working-the-family-problem story, with sure appeal for fans. (Fiction. 11-14) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
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